Tuesday, December 27, 2005

Darth Sidious addresses the Republic Senate in 'Revenge of the Sith'.

2005 BOX OFFICE WRAP-UP... With all of its contenders for the box office crown either in release or now gone, ranging from this summer's War of the Worlds with $234 million to Harry Potter and the Goblet of Fire and The Chronicles of Narnia currently at $262 and $165 million each, respectively, it’s safe to say that this year was indeed the Year of the Sith. Revenge of the Sith made an overall $380.3 million at the domestic box office alone, with potential threat King Kong not being potential at all. In its 13th day of release, Kong has made $121 million in the domestic B.O., while Sith made $275 million within the same amount of days. Sith is currently #1 in opening day grosses, top 4 and 5-day grosses, and the fastest film to reach the $100 and $300 million marks, while King Kong is number one in the, um, err...let me check—nothing? Sorry, just expressing some pre-Academy Awards bias against Kong before it takes the Best Visual FX Oscar away from Sith this March, haha. Just kidding. I mentioned this to point out the fact that Sith is the fifth Star Wars film to be the box office king for the year it came out. Attack of the Clones is the only exception...with Spider-Man and Lord of the Rings: The Two Towers both taking the spotlight away from it in 2002.

Commander Bacara and his troops turn on Jedi Master Ki-Adi-Mundi in 'Revenge of the Sith'.

It’ll be interesting to see if Sith gets more Oscar nominations (in the technical categories such as Costume Design and Sound Editing, that is) than the two previous prequels. If not, then oh well. As long as it doesn’t get any Razzie nominations, that's for sure! And it doesn’t deserve any, unlike Clones and The Phantom Menace (Natalie Portman was the weakest link in Episode III, but not to the point where she deserves a Raspberry Award. Hmm... Actually, let me think about that). Other than that, bring on 2006!! There are absolutely NO films coming out next year that I am as eager to see as Sith, but whatever. Let’s see how much Superman Returns, Pirates of the Caribbean 2, The Da Vinci Code and X-Men 3 make in the box office... Don’t get me wrong, I definitely want to see those films. But it's not like I'm gonna buy their soundtracks or any related merchandise (Da Vinci Code action figures? Haha) before they come out. Anyway... I called Harry Potter Hairy Pothead on purpose. I’ve been doing that ever since The Sorceror’s Stoned came out in 2001. ‘Nuff said.


Yoda impales a clonetrooper with his lightsaber.

Sunday, December 25, 2005

MERRY CHRISTMAS, EVERYONE!!! Hope you and yours are having a safe and tubular holiday... Tubular, haha... Yes, this is the same thing I typed for my Xmas entry last year...except for the ‘tubular’ part. Anyways, to bring up news that I was too lazy to type more than a week earlier, on December 14, I worked the very last taping of the TV sitcom, Yes, Dear (in case you don’t know yet, this is the CBS show’s final season). This was the first and last time I ever worked on that show. Oh well. The next day, I attended the annual Christmas party at Paramount Studios (where Yes, Dear was filmed). Par bought off Dreamworks just a few weeks ago...which obviously gives Par employees something to cheer about for the holidays, and hopefully next year’s holidays...when the studio store on the Par lot will presumably be able to sell Dreamworks DVD titles like Gladiator and Saving Private Ryan. Once again, I reiterate the word presumably. Oh, and Par is what Variety magazine calls Paramount in its articles (Variety calls TV shows "skeins", or something like that...the ABC channel the "Alphabet", NBC the "Peacock", filming a movie is "lensing" a movie, and film directors are called “helmers”...as in James Cameron was Titanic's helmer. Or I may be wrong. That's showbiz jargon for ya, haha).

The main cast of 'Yes, Dear'.

This week, I watched Munich, King Kong and Fun With Dick and Jane—all in that particular order. I’m too lazy to write full reviews on them, so I’ll just say Munich was serious, King Kong was less serious, and Fun wasn't serious at all (well obviously). Going back to King Kong, the special effects were a lot better than I thought (I still say WETA isn’t up there with ILM yet). In fact, I think King Kong might take next spring’s Best Visual FX Oscar...even though I’m rooting for Revenge of the Sith to do that. Kong should also be nominated for Best Make-up, since the face prosthetics on those Skull Island natives looked pretty freaky. Naomi Watts, unsurprisingly, looked hot in this pic, though I think, um, helmer Peter Jackson could’ve deleted some of her close-ups at the end. It was a tad bit too many. Her character has feelings for Kong, we get the picture!! Though Watts is pretty darn talented— She juggles, and she does somersaults! Haha. Up next, I want to see Syriana and Memoirs of a Geisha. C’mon now, gotta show that Asian pride!! Oh, and the cinematography on Geisha looks great...from what I saw in the trailers.

Munich poster.

Saturday, December 10, 2005

Peter Jackson's KING KONG... Don't know how good the movie is gonna be (since I haven't read up on any of the reviews yet), though visually it looks like a cross between Jurassic Park and Titanic (don't get me wrong I like Park. And, um—cough, coughTitanic), but the posters sure are awesome. I think these two are the best ones:

King King movie poster 1.

King King movie poster 2.

EDIT: King Kong is currently at 95% on RottenTomatoes.com. As usual, Slant Magazine is the lone dissenter in giving the film a negative review.