Monday, January 31, 2022
Artwork of the Day: Ghostface in Crayola...
Just thought I'd end this month with this artwork I drew of Ghostface over the past weekend. I intend on creating one more illustration of this classic movie villain sometime this week, but in the meantime, enjoy this artwork in all of its hand-drawn glory...courtesy of a mechanical pencil, a DuraPoint fine-tip pen and Crayola markers.
And read my review of the newest Scream movie here. Happy Monday!
Labels:
Scream
Tuesday, January 18, 2022
On This Day in 2002: Remembering BLACK HAWK DOWN...
20 years ago today, I went to my local AMC theater to watch Black Hawk Down...director Ridley Scott's intense movie about the 1993 raid that U.S. special forces conducted in Mogadishu, Somalia, to apprehend a group of Somali warlords.
Known as the Battle of Mogadishu, this military operation resulted in the deaths of 19 American soldiers, the capture of a U.S. serviceman and the downing of two UH-60 Black Hawk helicopters by enemy-launched rocket-propelled grenades. It was this operation—despite it being a technical victory since the targeted warlords were successfully captured—that led to the United States withdrawing from Somalia less than one year after starting what was supposed to be a humanitarian and peacekeeping mission in that wartorn and famine-ridden country.
Black Hawk Down was an intense movie from start to finish—with Ridley Scott conveying riveting action sequences using the narrow camera shutter-angle technique that he employed so well in the Oscar-winning epic Gladiator less than two years earlier.
Not only was Black Hawk Down such a well-crafted war film, but it unsurprisingly employed an amazing music score by composer Hans Zimmer as well. The most-memorable track from that score is Leave No Man Behind...which is featured in the YouTube video embedded below. That track is so engrossing that I used it for the Cinematography Project which I shot during film school at Cal State Long Beach in 2002!
Ridley Scott can do no wrong...even though I never watched his recent flick, House of Gucci. Happy Tuesday.
Labels:
Academy Awards,
Back in the Day,
Gladiator,
Youtube
Saturday, January 15, 2022
Movie Review: SCREAM...
Earlier today, I went to my local AMC theater to watch Scream, the latest installment in the hit slasher film franchise that began with the original Scream movie 25 years ago.
I never saw the four previous flicks, but I didn't need to...as I watched this new film just to see how brutal Ghostface was compared to other masked cinematic killers like Michael Myers from Halloween, Jason Voorhees from Friday the 13th and even the psychotic college student wearing a baby mask in 2017's Happy Death Day. And needless to say, Ghostface did not disappoint!
I'm not going to go into the mythology of this series since I'm unfamiliar with the overarching storyline between all five movies, but I will say that Scream had an exciting young cast in which it was pretty difficult to discern which character (or characters?) was ultimately the knife-welding maniac with a black cloak, the game-show-host voice, and the Halloween ghost mask.
Apparently, what made the first Scream so successful in 1996 was its satirical take on horror flicks—with the new Scream film continuing this tradition by poking fun at so-called "requels"...movies that are a combination of reboots and sequels. Unsurprisingly, references to actual requels were made in Scream; with one of the main characters mentioning the new Halloween movies that were released in 2018 and last year, respectively, this past November's Ghostbusters: Afterlife and of course, the Star Wars sequel trilogy.
Scream also made me think of the now-concluded Supernatural TV series with its climax...during which the main villain(s) yammer on about their master plan to the captive protagonists before the villain(s) prepare to vanquish them with a knife. Supernatural was known for its villains giving bombastic speeches instead of immediately dispatching monster hunters Sam and Dean Winchester so that all the evil creatures in that universe could finally breathe freely.
Despite the villain(s) not knowing when to shut up and just get rid of the heroes already, I give Scream two thumbs-up. The brutality of Ghostface ensured that this movie would be a top-notch slasher flick that presumably lived up to the spirit of its four predecessors.
Like The Matrix: Resurrections, however, it remains to be seen if Scream was just a final and proper sendoff for the legacy characters who appeared in the previous movies...or this flick will support one of the characters' critique in that this franchise will continue indefinitely since "Hollywood is out of ideas."
We shall see!
Thursday, January 13, 2022
Another Selection for THE BROKEN TABLE!
I just found out via email today that The Broken Table is a Semi-Finalist at the Phoenix Shorts Film Festival! This amazing event usually takes place at the Richmond Hill Centre for the Performing Arts in Ontario, Canada—with the actual screening originally scheduled for January 25.
Unfortunately, the Ontario government has put in place new COVID-19 restrictions (which were active since January 5) in response to the Omicron variant...and will last till at least January 26.
It should be on January 26 when I find out if The Broken Table was upgraded to an Award Winner! It'll be cool if it is...but I'm already happy that my short film is considered a finalist.
There are still 27 other festivals that I need to hear from! Happy Thursday.
Labels:
The Broken Table
Sunday, January 9, 2022
THE BROKEN TABLE's Dark Theme to be on Display at West Yorkshire This March!
Very happy to announce that The Broken Table is an Official Selection at the Haunted House FearFest in the United Kingdom!
This exciting event will occur at Bradford, West Yorkshire on March 18-19. For more info, click below!
https://hauntedhousefearfest.com
The hardest thing to fix is a broken soul.
Labels:
The Broken Table
Wednesday, January 5, 2022
Movie Review: THE KING'S MAN...
On New Year's Day, I went to my local AMC theater to watch The King's Man...a prequel to the first two Kingsman movies that were released in 2014 and 2017, respectively.
Just like Kingsman: The Secret Service and Kingsman: The Golden Circle, the new installment was directed by Matthew Vaughn—who instilled in this film the same awesome action sequences, emotion and humor as its predecessors.
The King's Man has a great cast (featuring Gemma Arterton, Djimon Hounsou, Matthew Goode, Alexandra Maria Lara, Valerie Pachner and Daniel Brühl, among others)...with Ralph Fiennes as the badass veteran agent Orlando Oxford who effortlessly beats up the bad guys while being elegant at the same time. As the saying goes, "Manners maketh man."
What The King's Man made me want to do after the film ended was to go online and do research on the historical figures (such as Archduke Franz Ferdinand) who made an appearance in this movie—which takes place before and during World War I. Yes, this flick was fairly accurate in depicting the actual assassination of the archduke...with Orlando Oxford and his headstrong son Conrad Oxford (Harris Dickinson) thrown into the mix during this 1914 incident.
And I had no idea that Rhys Ifans—who recently returned as the Lizard in Spider-Man: No Way Home—played the villainous Russian mystic Grigori Rasputin in The King's Man! (Yes, Rasputin was a real person.) Well-done.
If a sequel to The King's Man is made, we'll see if um, Adolf Hitler has a bigger role in that film...considering his appearance in The King's Man's end credits scene. That is all.
Labels:
Movie reviews,
Spider-Man
Tuesday, January 4, 2022
THE BROKEN TABLE Has Been Selected by Its First 2022 Film Festival!
Very pleased to announce that The Broken Table is an Official Selection by the Multi Dimension Independent Film Festival!
For more information about this exciting event, click below:
https://mdiff.net/
Labels:
The Broken Table
Monday, January 3, 2022
Quick Review: NIGHTMARE ALLEY...
Last week, on New Year's Eve, I went to my local AMC theater to watch Guillermo del Toro's latest movie, Nightmare Alley...which is a remake of the 1947 Edmund Goulding film of the same name.
I never saw the 1947 version, but what I will say about this iteration of Nightmare Alley is that it's another visually-stunning and expectedly-twisted flick by Guillermo del Toro. If this film gets nominated for an Academy Award, it will most likely be for Best Cinematography.
The cast of Nightmare Alley is stellar—with Bradley Cooper doing an amazing job portraying the manipulative mentalist Stanton Carlisle, Cate Blanchett as the ruthlessly-cunning Dr. Lilith Ritter, Toni Collette as no-nonsense Zeena the Seer, Willem Dafoe as the shady Clem Hoatley, Rooney Mara as the sweet and earnest Molly Cahill, Ron Perlman as the intimidating Bruno and Richard Jenkins as the calm but menacing Ezra Grindle.
I don't think Nightmare Alley will receive the same amount of accolates that del Toro's 2017 Best Picture winner The Shape of Water did during its awards season, but Alley is a beautifully-shot and intense film that shouldn't be overlooked at the theater...especially if you're a fan of del Toro's previous cinematic work (like I am with 2002's Blade 2 and 2013's Pacific Rim). Happy First Monday of 2022.
Labels:
Academy Awards,
Back in the Day,
Movie reviews,
Pacific Rim
Saturday, January 1, 2022
Happy New Year, Everyone!
Just thought I'd begin the first day of 2022 by sharing this image of me holding a printout of the certificate that I received from the Cult Movies International Film Festival last month. Hopefully, there'll be more awards to come for The Broken Table over the course of this year...as I submitted my short film to 37 film festivals in December alone!
We'll see what happens. As the film's poster below indicates, I don't think I'll have space to put laurels for that many festivals on it, anyway! Not to sound cocky, heh.
With that being said, have a nice New Year's Day...and hopefully you guys won't break your New Year's resolutions too soon! Carry on.
Labels:
The Broken Table
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