Showing posts with label Dumb and Dumber. Show all posts
Showing posts with label Dumb and Dumber. Show all posts

Wednesday, August 17, 2022

On This Day in 2007: Remembering SUPERBAD...

SUPERBAD.

It was 15 years ago today that the Greg Mottola-directed hit comedy Superbad was released in theaters nationwide!

Superbad is probably one of the funniest movies that I've ever seen on the big screen (next to 1994's Dumb and Dumber and 1998's There's Something About Mary—both directed by the Farrelly brothers); which is interesting considering the fact that this film is produced by Judd Apatow, whose other flicks I'm not a big fan of.

The dialogue between Superbad's three main characters, Seth (Jonah Hill), Evan (Michael Cera) and Fogell, a.k.a. McLovin (Christopher Mintz-Plasse), is so gut-busting hilarious that I actually posted a blog entry back in 2007 listing a lot of memorable quotes by these three goofballs...as well as other characters like Officer Michaels (Seth Rogen) and Officer Slater (Bill Hader). Even the ladies (Jules, played by Emma Stone; Becca, portrayed by Martha MacIsaac; and Aviva Baumann's Nicola) got in on the raunchiness!

I watched Superbad twice on the big screen 15 years ago (the second time for free while I was at work), and even have it on DVD. Not bad, Apatow... This is one of his films where the phallic jokes are actually funny. And not just funny, but really funny. Happy Hump Day.

The moment where Fogell introduced himself as McLovin in SUPERBAD...

Friday, July 2, 2021

On This Day in 1996: Remembering INDEPENDENCE DAY...

An alien destroyer hovers above New York City in INDEPENDENCE DAY.

25 years ago today, I watched the hit alien-invasion epic Independence Day at the theater. I've spoken about the sci-fi blockbuster—which is my favorite movie of 1996—so many times throughout the years that there's really nothing new to say about the film (but stay on this page, anyway)! Though in the wake of a recent report released by the Department of Defense about UFOs encountered by U.S. Navy pilots over the past two decades, blogging about ID4 today couldn't be more timely. If you want to read previous things that I've said about the Roland Emmerich-directed epic, you can visit this blog update that celebrated the 10-year anniversary of ID4 in 2006.

Will I post an entry commemorating the 10-year anniversary of Independence Day: Resurgence (which was released in theaters nationwide on June 24, 2016) in 2026, you ask? Probably not. That movie broke my heart like the Dumb and Dumber sequel, Dumb and Dumber To did in 2014. Happy Fourth of July weekend to my fellow Yanks!

An alien destroyer destroys the White House in INDEPENDENCE DAY.

New York City lies in ruins after the alien destroyer completes its attack in INDEPENDENCE DAY.

Man-made missiles explode harmlessly against a destroyer's force field during a counterattack in INDEPENDENCE DAY.

An alien attacker goes on the offensive in INDEPENDENCE DAY.

An evil alien being in INDEPENDENCE DAY.

An armada of F/A-18 Hornets and other fighter aircraft prepare to defend Area 51 from an approaching alien destroyer in INDEPENDENCE DAY.

Alien attackers go on a strafing run against human survivors at Area 51 in INDEPENDENCE DAY.

An alien destroyer meets its demise in INDEPENDENCE DAY.

The alien mothership meets its demise at the end of INDEPENDENCE DAY.

Saturday, December 8, 2018

Quick Review: GREEN BOOK...

Viggo Mortensen as Tony Lip, and Mahershala Ali as Don Shirley in GREEN BOOK.

So I saw Green Book earlier today. Impressive film! And just as a heads-up, director Peter Farrelly also helmed the comedic masterpieces that are Dumb & Dumber and There's Something About Mary 20 years ago. I reckon Green Book should get some nice recognition when the Oscar nominees are announced next month...and so will actors Viggo Mortensen (as Tony Lip) and Mahershala Ali (as Don Shirley).

"The world is filled with lots of lonely people afraid to make the first move."
- Tony Lip in Green Book

4.5 out of 5 stars. ****1/2

Wednesday, November 30, 2016

Bad Santa 2...

Marcus Skidmore (Tony Cox) watches as Willie Soke (Billy Bob Thornton) mingles with Diane Hastings (Christina Hendricks) in BAD SANTA 2.

Last Sunday, I watched the sequel to the 2003 sleeper hit Bad Santa, and needless to say, Bad Santa 2 had its moments. Billy Bob Thornton was back to playing Willie Soke, the hilariously repulsive alcoholic who disguises himself as Saint Nicholas to commit heists, with Tony Cox reprising his role as Marcus Skidmore, the disgruntled and conniving elf assistant. Brett Kelly didn't miss a beat playing the happily oblivious and naive Thurman Merman once more, while Kathy Bates was game at sporting tattoos as Sunny Soke, and calling Willie (her son) a "sh*t-stick" in almost every other line in the film. Of course, while Bad Santa 2 had lots of funny moments...it was also a lot more raunchier and irreverent than the 2003 original—which isn't necessarily a good thing. Case in point: Reference to the Immaculate Conception as the Ejaculate Conception... I'm not a devout Catholic, but yea, other Christian folks may have rolled their eyes to that one. Assuming, of course, that die-hard religious individuals actually went out to see this movie. If its opening weekend box office gross is any indication, then no—they did not.

Just like his younger self in 2003's BAD SANTA, Thurman Merman (Brett Kelly) is as happy and naive as Sunny Soke (Kathy Bates) is conniving in BAD SANTA 2.

Bad Santa 2 basically fell victim to the pitfalls that prevented 2014's Dumber and Dumber To from being as successful as its 1994 predecessor...those pitfalls being that the sequels were released far too long after the first movies came out in theaters, and the sequels having to resort to very raunchy gags in an attempt to re-capture the humorous feel of the originals. A long gap between a hit film and a sequel is okay when it comes to animated flicks and action or sci-fi epics [case in point: Pixar's Finding Dory (a follow-up to 2003's Finding Nemo) and the new Star Wars trilogy (seven uber-successful live-action movies in 39 years and counting), but sadly not Independence Day: Resurgence (the follow-up to the highest grossing film of 1996)], but this seldom applies to comedy flicks. Moviegoers' tastes in comedies evolve over time. The humor in American Pie was game-changing back in 1999...but that sort of comedy is now commonplace in today's TV shows such as the CBS sitcoms 2 Broke Girls and The Big Bang Theory.

Diane Hastings runs a Chicago-based charity organization that is the target of a heist by Willie Soke and Marcus Skidmore in BAD SANTA 2.

If there was one reason to re-watch Bad Santa 2, it would be due to the charm of Christina Hendricks. I've never seen the now-defunct AMC TV show Mad Men, but yea, Hendricks' character Diane Hastings is sweet and delightful in one scene and um, romantically voracious in another. "Romantically" isn't the actual word I wanna use here, what with her moments with Willie Sokes capturing just how bad Bad Santa could be (I'm referring to Soke himself). I just wished that Bad Santa 2 overall was closer to being as memorable as the original film. Maybe it would've been if Bernie Mac and John Ritter were still here to reprise their roles as Gin and Bob Chipeska, respectively. Well, maybe not Gin—since Marcus killed him in the first movie, but Bob. Rest in peace, Mr. Mac and Mr. Ritter... Carry on.

Willie Soke goes postal on another Santa in BAD SANTA 2.

Friday, June 24, 2016

INDEPENDENCE DAY: RESURGENCE - The Review...

The Harvester Queen is out to destroy humanity in INDEPENDENCE DAY: RESURGENCE.

So last night, I went to the Cinemark theater in Orange County to catch a double-feature screening of 1996's Independence Day (ID4) and the newly-released Independence Day: Resurgence (IDR). ID4 was still as patriotic, feel-good and cheesier as ever...with President Whitmore's (Bill Pullman) Area 51 speech and David Arnold's music being memorable 20 years later. As for Resurgence, all I can say is— It was both exciting and disappointing at the same time. It was exciting in that, despite the absence of Will Smith's character Captain Steve Hiller, the other characters were as lively as in the original, and the story was more intriguing than in ID4. Resurgence was disappointing in that David Arnold didn't score the movie this time around. With no disrepect to IDR composers Thomas Wander and Harald Kloser (who began conducting the scores for most of Roland Emmerich's films after the director had a falling out with Arnold due to creative differences over 2000's The Patriot...which was eventually worked on by John Williams), Arnold would've added the same patriotic and melodic fervor to IDR like he did in the previous film. It might be my nostalgia talking, but the best moments in IDR had the classic music motifs from ID4 playing in the background.

Alien attackers strafe a target in INDEPENDENCE DAY: RESURGENCE.

In regards to other aspects of Resurgence, the visual effects were stunning...although the same critique made about the Star Wars prequels (the CGI was excessive) can also be applied here. The arrival of the so-called "Harvester Ship" was cool (though once again, it would be much cooler if the ominous music playing in the background was scored by Davi— Ah, nevermind), yet it still somehow lacked the punch of the 15-mile-wide alien destroyers arriving above Manhattan, Los Angeles and other cities in the first film. The Harvester Ship is supposed to be 3,000 miles-wide (compared to 500 miles for ID4's Mothership), but the fact that the vessel was created via CGI as opposed to using a practical model prevented it from having the same impact as the destroyers did in 1996. As for the new alien attackers in IDR (once again, it's my nostalgia talking), these fighters didn't have as memorable a design as the manta ray-shaped spacecraft that Steve Hiller and company battled in ID4. Also, the engines on the new attackers didn't have a cool screeching sound like their 1996 predecessors had. Nor did the laser guns on the new ships sound as interesting as those fired by ID4's killer UFOs.

Patricia Whitmore (Maika Monroe) stares at off-screen surveillance footage while her father Thomas Whitmore (Bill Pullman) and Dr. Okun (Brent Spiner) watch in the background...in INDEPENDENCE DAY: RESURGENCE.

The one thing that I really looked forward to with Independence Day: Resurgence was seeing the alien exoskeletons in action for the first time. Weta Digital (the company that worked on The Lord of the Rings trilogy and Peter Jackson's other films) did a great job animating the murderous extraterrestrials. It was cool to see the Harvester Queen suit up inside her biomechanical armor and wreak havoc on the humans once she set foot on earth. The Queen's movement echoed the behavior of the monsters seen in the J.J. Abrams movies Cloverfield and Super 8...and watching her take on the alien hybrid jet fighters piloted by Patricia Whitmore (Maika Monroe) and company was a cool sight to see. One person who sat behind me at the theater yesterday complained after the movie ended that Resurgence felt too futuristic compared to the more grounded, realistic world depicted in ID4. On one hand, he is completely right. On the other hand, it is understandable that this would happen...seeing as how 20 years have elapsed and it obviously makes sense that we would apply alien technology to our weapons, vehicles, and every other applicable thing that we used in our daily lives. That, and most of Earth's major cities were wiped out in 1996...so that gave Emmerich freedom to interpret how a rebuilt Washington, D.C. would look post-ID4.

Thomas Whitmore is ready to save the world again in INDEPENDENCE DAY: RESURGENCE.

And lastly— The story in IDR was intriguing, to put it mildly. Not to spoil anything, but the ending paves the way for a third film if Resurgence makes enough money at the box office (it won't be 2016's highest-grossing film the same way ID4 was in 1996, that's for sure) to convince Twentieth Century Fox to give Emmerich the go-ahead to shoot another installment. I doubt a third film will be made...seeing as how Independence Day 3 will essentially become Star Trek, 2013's Ender's Game and every other sci-fi space flick due to the premise introduced right before the end credits. Also, IDR killed off two beloved characters from the original film—so the presence of at least one of them will be missed in a third movie. All-in-all, Resurgence had so much potential...but it didn't quite live up to it. Just like the 2014 comedy Dumber and Dumber 2 (which came out 20 years after the first film did), IDR was released in theaters several years too late to have the same impact as that of the original. Back in 1996, ID4 was called "the Star Wars of our generation." You really can't say that about Resurgence now when four new live-action Star Wars films (with a fifth movie, Rogue One, arriving in December) were released since then! But I am definitely onboard if Roland Emmerich and David Arnold finally set their differences aside...and Arnold graces us with another patriotic and energetic music score in Independence Day 3 if it ever gets made. That is all.

3 out of 5 stars. ***

With a mysterious but non-hostile alien entity next to him, Dr. Okun ponders the future of humanity in INDEPENDENCE DAY: RESURGENCE.

Friday, November 14, 2014

Movie Review: Dumb and Dumber To!

Even Billy the bird-lover is still around to be tormented by Harry Dunne (Jeff Daniels) and Lloyd Christmas (Jim Carrey) in DUMB AND DUMBER TO.

So I saw the newest sequel to the Farrelly brothers' 1994 hit (the first sequel being the 2003 prequel, Dumb and Dumberer...which Jim Carrey and Jeff Daniels didn't work on), and all I can say is, Lloyd Christmas and Harry Dunne are back! Dumb and Dumber To wasn't as hilarious as the first flick, but it's nice to see Rhode Island's most imbecilic duo still wreaking havoc and being as moronic as ever! The main note I have of this film: For a nitwit who was 'stuck' in the nuthouse for 20 years, Lloyd sure knows his way around cellphones (unless he had access to the device during all the years that Harry stopped by to change Lloyd's urine bag and um, wipe his arse). In one scene, he quickly knew which button to press on a camera phone to take a photo of a picture of Harry's supposed daughter (Penny Pichlow, played by the lovely Rachel Melvin)...but in another scene, Lloyd is idiotic enough to climb out onto the front of a moving car to wipe a smudge off the windshield (the smudge was on the inside of the windshield, FYI). (Let's also not forget the fact that Lloyd didn't know that we landed on the Moon till '94!) This crazy fool is all over the place! Anyways, seeing as how the end credits (no spoilers here) featured side-by-side shots from the first Dumb and Dumber and the latest movie to show how much Lloyd and Harry changed (or didn't) over the last two decades, methinks that this was a one-shot deal for Jim Carrey and Jeff Daniels. Oh well. Somewhere out there, Mary Samsonite is glad that the two buffoons who returned her suitcase in Aspen, Colorado are still having a good time. Carry on.

Lloyd and Harry find out that Harry may have a daughter with Fraida Felcher (Kathleen Turner) in DUMB AND DUMBER TO.

Penny Pichlow (Rachel Melvin) is amused by Lloyd's antics in DUMB AND DUMBER TO.

Lloyd made Harry do this for the last 20 years...as a practical joke in DUMB AND DUMBER TO.

Sunday, July 20, 2014

Back in the Day: DUMB & DUMBER Celebrates the Moon Landing!

45 years ago today, the astronauts of Apollo 11 landed on the Moon. Leave it to Lloyd Christmas to share his excitement about this momentous achievement...even if he was a couple of decades too late in doing so. I love Dumb & Dumber! And can't wait for the sequel to get released in theaters this November, hah.

Lloyd Christmas (Jim Carrey) celebrates the Apollo 11 Moon landing in DUMB & DUMBER.
Image courtesy of Dumb and Dumber - Facebook

Wednesday, June 11, 2014

More on Dumb To...

A screenshot from the DUMB AND DUMBER TO theatrical trailer.

In case you didn't catch the trailer for Dumb and Dumber To during The Tonight Show Starring Jimmy Fallon last night, scroll down to the bottom of this entry to see the preview. Usually, I only post screenshots for action-packed flicks like Transformers or epic blockbusters like The Hobbit on this blog...but since this is the sequel to one of my favorite film comedies from my adolescent years, I'll make an exception here. Welcome back, Lloyd and Harry!

A screenshot from the DUMB AND DUMBER TO theatrical trailer.

A screenshot from the DUMB AND DUMBER TO theatrical trailer.

A screenshot from the DUMB AND DUMBER TO theatrical trailer.

A screenshot from the DUMB AND DUMBER TO theatrical trailer.

A screenshot from the DUMB AND DUMBER TO theatrical trailer.


Tuesday, June 10, 2014

Dumb and Dumber To!

I can't wait to see what hilariously moronic shenanigans Lloyd Christmas (Jim Carrey) and Harry Dunne (Jeff Daniels) have up their sleeves when they return to the big screen this November! And when does the first trailer come out? Will we be privy to another funny moment like the scene in 1994's Dumb & Dumber where Lloyd falls off a jetway (again)? Dumb and Dumber To can't arrive at theaters soon enough!

DUMB AND DUMBER TO theatrical poster.
Universal Pictures

Tuesday, September 24, 2013

Dumb & Dumber To...

Almost 20 years after the hilarity of the first Dumb & Dumber film, Lloyd Christmas is still sporting a rice bowl haircut. Good— Don't ever change, dude. Welcome back, Lloyd and Harry!

Jim Carrey and Jeff Daniels reprise their roles as Lloyd Christmas and Harry Dunne in DUMB & DUMBER TO.

Tuesday, April 30, 2013

Paul Doyle (Dwayne Johnson), Daniel Lugo (Mark Wahlberg) and Adrian Doorbal (Anthony Mackie) walk away from an exploding van in PAIN & GAIN.

Pain & Gain... So I saw the new flick at the theater on Sunday (yes, I'm still out of town), and needless to say, it's what you would expect from the mind of Michael Bay. Pain & Gain was an interesting film...and a good indicator of how well Mark Wahlberg will get along with Bay once they begin filming Transformers 4 in about a month or two. However, with Pain & Gain being based on a true story and all, it's clearly obvious that unlike Ben Affleck on Argo, Bay doesn't really care for historical accuracy in this crime caper. Wahlberg looks nothing like the real Daniel Lugo, Anthony Mackie (of The Hurt Locker and Gangster Squad) bears little resemblance to Adrian Doorbal (I'll have to check online again...but I don't think Doorbal was even African American), and Paul Doyle isn't a gigantic Samoan dude like Dwayne Johnson. Oh, and in another trademark by Bay, Pain & Gain opted for humor where there probably shouldn't be any. Wahlberg, Mackie and Johnson treat their characters like they're the criminal equivalent of Harry and Lloyd from Dumb & Dumber—which kinda feels out-of-place considering that two of the three kidnappers/extortionists were sentenced to death at the end of the movie. But that's just me. Pain & Gain is a dark comedy...so either go to the cinema hoping to be entertained by the true-life buffoonery of these hooligans, or be annoyed that substantial liberty was taken to depicting this crime story—just like what was done with the exploits of Mickey Cohen in Gangster Squad. Carry on.

Sorina Luminita (Bar Paly) and Daniel Lugo hang out at a strip club in PAIN & GAIN.

Monday, September 20, 2004

Fullscreen is for monkeys. I don’t even know why people continue to buy this butchered version of a film on VHS and DVDs. What— Is it because in widescreen versions you obviously have the two matte lines at the top and bottom of the movie frame? Well BOOHOO, you’re breaking my heart. "Hey, I don’t want the widescreen version of The Passion of the Christ... Those two black bars are on the screen!" Loser. People who prefer the fullscreen version of a film (A.K.A. the film with a 1.33:1 aspect ratio format...A.K.A. "pan-and-scan") over widescreen are just as lame as people who don’t like black & white films ‘cause they’re “old” (more on this diatribe tomorrow). Think about it… What would you rather have...the two matte lines on the TV screen or an image that is only half the size of what is on the original theatrical version? I prefer the two matte lines on the screen anyday. Now, if the reason why you’re holding off on buying widescreen-formatted films is because you want to buy that nice-ass, WAY-expensive High Definition 16:9 Widecreen TV from Best Buy first, then that’s different! As long as you let the fullscreen version go the way of...um, I dunno, all those species of insects in the burning Brazilian rain forest (8-track tapes and the Dodo bird are clichés), then it’s all good. If you wanna see a pan-and-scan film, watch a broadcast of it on network television!

Widescreen RULES.
(Images courtesy of Twentieth Century Fox)

Now, what got me to dislike the 1.33:1 aspect ratio in the first place was me buying the fullscreen VHS version of the film Independence Day (above) in November of 1996. I showed my dad the movie when he got back home from work, and while watching it, I noticed that he wasn’t as into the film as I thought he would be. Of course, it may have obviously been that ID4 is a big pile of sci-fi crap (though I still enjoy the film), but I also attributed it to the fact the full splendor of the images (especially during the action sequences) wasn’t showing on the TV screen. From there on out, I vowed that every film I bought would be in widescreen. Of course (I like saying that), I didn’t really practice this till I began buying DVDs. I bought Gladiator and Saving Private Ryan in their fullscreen incarnation on VHS…and I, um, cough-cough (how ‘bout them USC Trojans?), bought Titanic in fullscreen VHS as well. Of course, James Cameron is a genius in the sole fact that the way he framed the images during filming actually allowed everything that you see in the widescreen version of the movie to be visible in the fullscreen version AS WELL. If you’re watching the fullscreen version of Titanic, you’ll notice that there’s considerable empty space at the top and bottom of the images, and that’s because those spaces were matted off (a.k.a. covered by the two black bars) for the theatrical release! Pure genius, Cameron!!

Titanic comparison shots.
(Courtesy of Twentieth Century Fox and Paramount)

Anyways, where was I? Oh yes… Fullscreen SUCKS. I urge my readers out there (ALL 10 of you. Just kidding… Look at the hit counter at the bottom of this page, haha) to forsake the ghetto “This film has been formatted to fit your TV screen” version and go with the “So what do you prefer? The 1.85:1 or the 2.35:1 aspect ratio?” version. Me? I prefer 2.35:1. But I shot my short films The Broken Table and Envious in 1.85:1, haha. Oh, and using the Final Cut Pro editing software program, I matted my first student film, a BLACK & WHITE cinematography project (creatively titled Cinematography Project), with BOTH 1.85:1 AND 2.35:1 matte bars. It’s SO COOL that that film, which was shot in fullscreen, was framed well enough for the other two aspect ratios to be compatible! Parno rules!! Just kidding. That is all.

Dumb & Dumber.Dumb & Dumber.
Dumb & Dumber: One of only a few films enjoyable in both the fullscreen and widescreen formats!

(Images courtesy of New Line Cinema)